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We move on the borderline between two spaces – the Japanese landscape and a specific interior or its fragment, but Eva Sakuma blurs the boundaries between them. This is a combination of the two spaces rather than their mutual negation. From this connection arises the illusion of a third, seemingly dreamlike space, which is, however, far more real in its essence than the spaces from which it emerges.

It is here that a deep, almost contemplative connection occurs between man and landscape in a given space and time. It is as if the space itself grew from within the painting, expanding and permeating the entire interior to finally connect with the surrounding nature as a symbol of life. The viewer’s gaze is thus not enclosed in a block of matter, but new possibilities of human perception open up before him, with a deep understanding of the beauty of the morphology of the reliefs present.